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The High-Performance Graphics 2017 conference call for participation is here.

Summary: deadline for papers is Friday April 21st. Conference itself is Friday-Sunday, July 28-30, colocated with SIGGRAPH in Los Angeles.

For me, this is one of the two great conferences each year for interactive rendering related papers (SIGGRAPH’s papers selection, for whatever reasons, seems to have mostly moved on to other things).

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If you’re reading this after June 18th, oh well…

Registration page is here.

Me, I wouldn’t rate SIGGRAPH the premier interactive rendering research conference any more: I3D or HPG publish far more relevant results overall. SIGGRAPH still has a lot of other great stuff going on, and there are enough things of interest to me this year that I’m happy to be attending:

  • I guess the courses are the main draw for me right now, and some of these have become informal venues for interactive rendering R&D presentations (e.g. the Advances course).
  • SIGGRAPH Mobile could be interesting. Given the huge profit margins of GPUs for mobile vs. PCs, it’s where the market has moved. It feels a little “back to the future”, with GPU speeds getting reset about a decade vs. PC performance, but there’s some interesting research being done, e.g. this paper (not at SIGGRAPH but at HPG, I noticed it today on Morgan McGuire’s Twitter feed and thought it was fascinating).
  • I was thinking of arriving Sunday afternoon, but then noticed some interesting talks in the?Game Worlds talks on Sunday, 2-3:30 pm.
  • Other talks will be of interest, I’ll need to wade through the list.
  • Emerging Technologies and the Exhibition Floor usually have something that grabs my attention (if nothing else, I can browse through new books), and I maybe should give Real Time Live a visit.
  • And, meeting people, of course – it’s inspiring and fun to hear what others are up to. Sometimes a little chance conversation will later have great value.

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HPG is a great little conference squarely aimed at interactive rendering techniques, including areas such as hardware and ray tracing. It will be June 25-27 in Paris (France, not Texas), colocated with another excellent gathering of researchers, the Eurographics Symposium on Rendering. See the HPG call for participation and EGSR CFP for more information.

Entirely gratuitous image follows, a voxelized and 3d printed you-know-what (from here):

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The High Performance Graphics 2012 Call for Participation is up, go get it. HPG 2012 is in Paris (France, not Texas) June 25-27, co-located with EGSR, another excellent symposium.

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The harddrive on my main computer died, which has the odd effect of making me have more time for blogging (and less for screwing around on random stuff). So, seven things:
  • First, if you’re going to HPG 2011, I’ll save you five minutes of searching for where it is: it’s at the Goldcorp Centre for the Arts,?Google map here. Note also that things don’t start until 1:30 on Friday.
  • SIGGRAPH parties? I know nothing, except that the official SIGGRAPH reception is 9 to 11 PM Monday at the convention center, and the ACM SIGGRAPH Chapters Party is 8:30 PM to 2 AM on, oh, Monday again. Odd scheduling.
  • Timothy Lottes cannot be stopped: FXAA 3.11 is out (with improvements for thin lines), and 3.12 will soon appear. Note that the shader has a signature change, so your calling shader code will have to change, too.
  • At the Motorola developer site there’s a quick summary of various image compression types used for mobile phones and PCs.
  • Sebastien Hillaire implement the God Rays effect from GPU Gems 3, showing results and problems. Code and executable available for download.
  • I’ve been enjoying some worthwhile articles on patents and copyrights lately, both new and old. Worth a mention: Myrhvold madness;?a comic (a bit old but useful) on copyright – a good overview; The Public Domain, a free book by a law professor who helped establish Creative Commons; the July 2011 CACM (behind the paywall, though) had a nice article on why the U.S. dropped “opt-in” copyright back in 1989 (blame Europe). Best idea gleaned, from The Public Domain: the length of copyright is meant to motivate people to create works for payment, so a retroactive increase in the length of copyright ?(e.g., to protect Mickey Mouse) makes no sense – it creates no motivation for works already created.
  • Polygon Pictures’ office corridor would be a bad place to be if you worked way too many hours. Otherwise, nice!

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Last week EGSR 2011 papers started to appear at Ke-Sen’s site. Now the HPG 2011 papers are up. How does he do it? Search, search, search (or people let him know). The EGSR schedule is up here. ?The HPG Paper Chairs sent on the list of accepted paper titles and authors to Ke-Sen.

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Ke-Sen has begun his magic: he’s started collecting EGSR 2011 papers. I expect to see an HPG 2011 page starting soon, once their final draft deadline is passed in three days.

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Go get your reservation.?Even if you think you have a 10% chance of going to SIGGRAPH 2011 this year, I recommend holding a room now.?You can cancel the reservation later at no cost until July 21.

Me, I went with the Empire Landmark Hotel, as it was a good balance between price and distance (location also sounded good). The YWCA was very tempting, though – really, if you’re traveling alone (I’m with 2 others), it’s an incredible bargain ($99 a night) for a single person and has a noticeably higher rating than the Empire Landmark on TripAdvisor.

Oh, also, if you’re an interactive rendering type of person, don’t forget that HPG 2011 is colocated with SIGGRAPH 2011 and starts on August 5 (a Friday), so you might want to book from August 4th on. You can always carve off days from your reservation later. That said, choosing August 4th does trim down the available hotels a bit. For me, HPG is a must-attend; when it was colocated with SIGGRAPH in 2009 (it alternates between SIGGRAPH in North America and EGSR in Europe) I found it offered more relevant papers than all of SIGGRAPH itself.

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High-Performance Graphics, although a relatively new conference in its current form, has had a large impact on the field; it is the venue of choice for breaking research on new antialiasing techniques, micropolygon rendering, and novel uses of GPUs for graphics. HPG 2011 will be co-located with SIGGRAPH 2011 in Vancouver, and is looking for paper, presentation, and poster submissions. The full CFP is included after the break:

Read the rest of this entry »

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Some news, and some olds.

  • HPG has a?CFP. In slow motion, ?this means the High Performance Graphics conference, June 25-27 in Saarbrucken, Germany, has a?call for participation. Naty talked about this conference in?his post two months ago; now the?HPG website and?CFP are up. In case you don’t recognize the conference’s name, this is the combination of the Graphics Hardware and Interactive Ray Tracing symposia. HPG was fantastic last year, with more useful (to me) papers than SIGGRAPH (where it was co-located). Potential submitters please note: because HPG 2010 is co-located with EGSR this year, the deadlines are very tight after SIGGRAPH notification and quite rigid. In other words, if your SIGGRAPH submission is rejected, you will have a very short time to revise and submit to HPG (i.e., by April 2nd).
  • NVIDIA has put up a list of?talks at GDC in which it is participating, which will undoubtedly appear soon after on the web. In other NVIDIA news, there’s an interesting press release about?NVIDIA and Avatar and how GPUs were used in precomputation of occlusion using ray tracing, for scenes with billions of polygons.
  • A handy tool for showing frame rate and capturing screenshots and video that is?worth a mention again (it’s buried on the Resources page): FRAPS. It’s been around forever, continues to improve, and the basic version is free.
  • Crytek made?an updated version of the famous Sponza model (used in many global illumination papers) available in OBJ and 3DS Max formats, along with textures. If you have the time, in theory?99 lines of code will make a picture for you.
  • Stefan Gustavson has a nice little demo of using distance fields for “perfect” text rendering. This type of technique has been used for a number of years in various games, such as Valve’s Team Fortress 2. The demo unfortunately falls apart when you rotate the scene off-axis, but otherwise is lovely.
  • SUBSTANCE is an application for making 3D evolutionary art. I really need more time on my hands to check this sort of tool out…
  • Theory for the day: we don’t have fur because our skin can show our emotions, which we pick up with our improved color perception.

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